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Don't Let The Kids Win

by Julia Jacklin

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1.
Pool Party 04:15
I was shorter than my dads dining table you were taller than my bedroom door frame hit me hard when I found height don’t make a man no you grew smaller to me that Saturday when, you came crashing crawling down through the back brush eyes were bloodshot and your leaden voice thin said, “I won’t blame you now, but I caught your cold somehow” then you jumped right in Oh I want to give you all of my love but I watched you sink as they swam above you are the land and I am the dove my heart is heavy when you're high so for me why won’t you try said you're sorry you were drinking through the day then only stopped to let your lungs take the hit said "I won’t blame you now, but you lost my love somehow” then you jumped right in Oh I want to give you all of my love but I watched you sink as they swam above you are the land and I am the dove my heart is heavy when you're high so for me why won’t you try
2.
Leadlight 03:42
I was once a sunday kneeler when I saw the leadlight fall from the pane I didn't know that the grass was not only greener upkeep is cheaper when you embrace the rain So I jumped down and lay with my leadlight and under your spotlight, I lay with the shards and I didn't know that ground was not only harder oh but colder when you are not around I love you my darling I do but I can’t let possession make a fool of you I love you my darling I do But I can’t promise I'll be here to see this whole love through So I ran with dreams to reach the skyline and straight up that incline I ran towards the blue and I didn’t know that the sky is not only wider oh but clearer when I'm standing next to you I love you my darling I do but I can’t let possession make a fool of you I love you my darling I do But I can’t promise I'll be here to see this whole love through oh I believe in trust you see but don’t you go and put your trust in me I cost more than you earn so tell me boy why didn't you ever learn I love you my darling I do but I can’t let possession make a fool of you I love you my darling I do But I can’t promise I'll be here to see this whole love through
3.
I gotta find myself a girl who makes me wanna take on the world I gotta find myself a girl who makes my straight toes curl see I had a life in my head I'd be pushing up that hill until those toes bled now I gotta learn this new stage Didn't see it coming, my coming of age Didn't see it coming, my coming of age Didnt see it coming I, must have shucked that rage Didnt see it coming my, coming of age yeah now I'm alright, I'm doing fine but I'll be pushing up that hill until I get what's mine yeah now I'm gonna learn this new stage Didn't see it coming, my coming of age Didn't see it coming, my coming of age Didnt see it coming I, must have shucked that rage Didnt see it coming my, coming of age
4.
Elizabeth 03:37
So shaky so fine standing up there baby oh you look so divine so harsh that bright stage light showing the first four rows that you don’t wanna play tonight but you know I want you to you know I need you to and I'll be there for you darling even if it all falls through So steady so calm standing up there darling with the front row in the heal of your palm so good that bright stage light showing the back four rows that you got it made here tonight but you know I want you to you know I need you to and I'll be there for you darling when it all starts to come true you stepped down off our home ground said good friend I'm done so I left the game as they yelled my name said, girl you're my number one So shaky so fine standing up there baby oh you look so divine
5.
Motherland 05:14
These new lines on my face spell out girl pick up your pace if you want to stay true to what your younger self would do and this kink in my walk makes me focus when I talk if I can’t trust my feet then it's my tongue I choose to keep and I walk slow so I can read let my head fall my hips lead why’d you write the words so small did you fool me, are they words at all? or are you pulling down the veil keeping grounded as you set my sail? by the time I pull it off all my innocence is lost but oh I'm good, I think I’m good will I be great, will I be great? is it money I wanna make or is it sweet love for his sake? and this new parts I now need to help me focus, help me feed they are beyond my modest earnings oh the girls they keep turning up the heat as if it's cold but I'm hot, too hot to hold I'll burn a hole right through the hull when will I Ever see the land will I ever see the land? oh water can't revive me I need dirt in my hand will I ever see the land will I ever see the land? oh the ground will give me something I know that it can See I have charm and I have sight and I always try and do whats right but I have faults you know it's true especially when it comes to treating you well I will work when all my thoughts are mine again see I was sure at the start, turns out I tried to hard but oh I'm good, I think I'm good will I be great, will I be great is it money I wanna make or is it sweet love. for his sake?
6.
Small Talk 03:30
Zach Braff you look just like my dad back when I thought I had the best one oh what a life it could have been me in the cradle you on the screen But you’re too young to be a Father to me you’re too young to be a Father to me Catherine Denevue you look just like my mother used to when she loved me, oh when she loved me oh what a life just you and I learning to walk whilst you read your lines But you’re too old to be a Mother to me You’re too old to be a mother to me Surely you’re not saying the TV lied I truly believe that they would love me back in real life Hey kid at the bar you know who you are I've been staring you down as I play this out of tune guitar oh just think what we could be I swear I'll dress cooler if you just go home with me But you're too young to be a lover to me I'm getting older and I forget sometime you see Surely you're not saying the TV lied I truly believe that I will have it all in my life So don’t you waste my time don’t you waste my time On small talk and cheap wine
7.
L.A. Dream 03:29
Why’d you go to the grocery store on the day you planned to leave left me here with all this food my body does not need and now I'm lying listless like a dog after a feed thinking about the life that you’ll now lead why’d you go and push in when you saw my face in the line said if i just focus I could get laid anytime but now I'm lying broken like a dog after a fight guess I was not made for your life guess I was not made for your life there on central station you forced my lips to scream loving you aint easy babe its just a LA dream and I'll be lying happy knowing we still spent the time guess you were not meant to be mine guess you were not meant to be mine
8.
Sweet Step 02:51
I was dancing for a while see I was trying to perfect a style out on that dance floor oh boy did I sweat shaking to get noticed has not worked for me yet but I'll keep trying I was swinging my blonde hair round see I was trying to get my feet off the ground and I rose steady to the roof of my room I may not be a great dancer but I might be a good one soon But I'll keep trying dancing for yourself aint bad when you're dying to find that sweet step that will help to free your mind
9.
Same airport, different man I'm starting to think that I don’t know quite who I am same airport, different man he's circling the carpark waiting for me to land same airport, different dress this one is blue and it is longer than the rest same airport different dress, last one was short and red and too tight for my growing chest same airport, different life at 16 lost my first love to a one way flight same airport, different life sat down by the carousel looking old enough to make a wife now same airport, different ride home last time I went to my mothers, this time to my own same airport, different ride home riding shot gun to my baby, next time I'll get the train alone same airport, different man he looks happy, he looks happy Same airport, different man
10.
Hay Plain 05:58
Driving home the road makes me feel smaller my fear forces my hand into the shoulder and I feel you darling on my own every mile brings you a little closer I'm driving into the Hay Plain I won’t survive the night if you don’t stay in your lane I’m heading away from that wide sunset wondering if my new man misses me yet baby you don’t have to drive me round no more I went and got myself a car so I can pay you back for all the times you took me back home every mile brings you a little closer I'm driving into the Hay Plain I won’t survive the night if you don’t stay in your lane I’m heading away from that wide sunset wondering if my new man is in love with me yet Besides that truck driver on the Western Distributer who caught me changing, sorry babe he saw everything I’ve been keeping my skin for when you fly in and you want me, physically besides that night in Adelaide in the back of a cab when a good man said he’d give me what I've never had I've been keeping my eye for when you come online and you need me, emotionally I'm driving into the Hay Plain I won’t survive the night if you don’t stay in your lane I’m heading away from that wide sunset wondering if my new man misses me yet
11.
Don’t let the kids win just let them lose they’re not gonna learn anything if that's the way you choose to play don’t let the kids win just let them fall you don’t want them growing up thinking three year olds are good at playing basketball Don’t let your grandmother die while you’re away a cheap trip to Thailand's not gonna make up for never getting to say goodbye and don’t let your brother stop thinking you’re cool I know he’s got a girlfriend now and he's taller but that don’t mean he’s stopped looking up to you I've got a feeling, that this won’t ever change we’re gonna keep on getting older it's gonna keep on feeling strange Don’t let your friends turn cold while you burn to green when they walk off the stage embrace them and say that's the best shit I've ever seen and don’t let your sister walk down the aisle without pulling her close saying I love you and it's okay if I don’t see you for a while I've got a feeling, that this won’t ever change we’re gonna keep on getting older it's gonna keep on feeling strange Don’t let the time go by without sitting your mother down and asking what, life was like for her before you came to be around and tell her it's okay if she puts herself first us kids will be alright if we're not the centre of her universe I've got a feeling that this won’t ever change we're gonna keep on getting older it's gonna keep on feeling strange and after a late one, I don’t know anything except the more I keep on talking the less breath I got left to sing

about

Julia Jacklin thought she’d be a social worker.

Growing up in the Blue Mountains to a family of teachers, Jacklin discovered an avenue to art at the age of 10, thanks to an unlikely source: Britney Spears.

Jacklin chanced upon a documentary about the pop star while on family holiday. “By the time Britney was 12 she’d achieved a lot,” says Jacklin.”I remember thinking, ‘Shit, what have I done with my life? I haven’t achieved anything.’ So I was like, ‘Mum, as soon as we get home from this holiday I need to go to singing lessons.’

Classical singing lessons were the only kind in the area, but Jacklin took to it. Voice control was crucial, and Jacklin flourished. But the lack of expression had the teen seeking substance, and she wound up in a high school band, “wearing surf clothing and doing a lot of high jumps” singing Avril Lavigne and Evanescence covers. It wasn’t much but she was hooked.

Jacklin’s second epiphany came after high school. Travelling in South America she reconnected with high school friend and future foil Liz Hughes. The two returned home to the Blue Mountains and started a band, bonding over a love of indie-Appalachian folk trio Mountain Man and the songs Hughes was writing.

“I would just sing,” says Jacklin. “But as I got my confidence I started playing guitar and writing songs. I wouldn’t be doing music now if it wasn’t for Liz or that band. I never knew it was something I could do. “

Now living in a garage in Glebe and working a day job on a factory production line making essential oils, the 25-year old found time to hone her craft – to examine her turns of phrase, to observe the stretching of her friendship circles, to wonder who she was and who she might become. That document is Jacklin’s masterful debut album, Don’t Let The Kids Win - an intimate examination of a life still being lived.

Recorded at New Zealand’s Sitting Room studios with Ben Edwards (Marlon Williams, Aldous Harding, Nadia Reid), Don’t Let The Kids Win courses with the aching current of alt-country and indie-folk, augmented by Jacklin’s undeniable calling cards: her rich, distinctive voice, and her playful, observational wit.

You can hear it in opener ‘Pool Party’, a gorgeous lilt bristling with Jacklin’s tale of substance abuse by the pool; in the sparse, ‘Elizabeth’, wrestling with both devotion and admonishment of a friend; in detailing the slow-motion banality of a relationship breakdown in the woozy ‘L.A Dreams’; and in her resolve to accept the passing of time on the snappy fuzz of ‘Coming Of Age’. The album hums with peripheral insights, minute in their moments but together proving an urge to stay curious.

“I thought it was going to be a heartbreak record,” says Jacklin of Don’t Let The Kids Win. “But in hindsight I see it’s about hitting 24 and thinking, ‘What the fuck am I doing?’ I was feeling very nostalgic for my youth. When I was growing up I was so ambitious: I’m going to be this amazing social worker, save the world, a great musician, fit, an amazing writer. Then you get to mid-20s and you realise you have to focus on one thing. Even if it doesn’t pay-off, or you feel embarrassed at family occasions because you’re the poor musician still, that’s the decision I made.”

In person Jacklin is funny, wry, quick to crack a joke. It makes the blunt honesty and prickly insight laced through her songwriting disarming, a dissonance she delights in. “Especially coming from my family,” says Jacklin. “They don’t talk about feelings at all. I love writing songs about them and watching them listen and squirm. To me that’s great. I enjoy it.”

The title track was the last song Jacklin wrote for the album. “My sister’s getting married soon,” she says of the closer. “And it hit me – we used to be two young girls and now that part of our lives is over. Seeing her talking about wanting to have a baby and…it’s like, man I can’t believe we’re already here.”

Don’t mistake this awareness for nostalgia. “It’s not that I want to go back to that time at all,” says Jacklin. “It’s trying to figure out how to be responsible when you don’t identify with who you were anymore.”

“All my friends at this age are freaking out. Everyone’s constantly talking about being old. Don’t Let The Kids Win is saying yeah we’re getting older but it’s not so special. It’s not unique. Everyone has dealt with this and it’s going to keep feeling weird. So I’m freaking out about it too but that song is trying to convince myself: let’s live now and just be old when we’re old.”

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released October 7, 2016

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Julia Jacklin Sydney, Australia

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